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Rough Topography
June 20 - Aug. 16, 2003
Hillary Bleecker
Angelina Gualdoni
Shane Huffman
James Ireland
Justin Lieberman
Tim Lokiec
David Noonan
Chris Oliveria
Anna Shteynshleyger
Vedanta Gallery is pleased to present the group exhibition
Rough Topography, including work by Hillary Bleecker,
Angelina Gualdoni, Shane Huffman, James Ireland, Justin Lieberman,
Tim Lokiec, David Noonan, Chris Oliveria, and Anna Shteynshleyger.
Rough Topography represents a number of young artists whose
work openly explores the harsh terrain ranging from the physical
topography of the landscape to its cultural, political, social,
personal and fantastic idiosyncrasies that influence the way
one perceives and strives to make sense of the world around
them. The artists in this exhibition approach their work from
disparate directions and mediums yet underlying is a parallel
motivation stemming from a lingering preoccupation with the
perplexities, anxieties and "roughness" that permeate our
lives.
Rough Topography includes work that ranges from Hillary Bleecker's
subtle drawings of displaced acid colored trees to David Noonan's
horror influenced video depicting a woman lost within a world
blurred between nightmare and reality. Angelina Gualdoni's
paintings of the destruction of Epcot Center's Horizon's Pavilion
poetically comment on Disney's failed visions of utopia, while
Justin Lieberman's tie-dyed embracing "Klansmen" represent
the clashing of two extreme failed ideologies; KKK and utopian
hippie culture. A more unassuming approach is seen in Anna
Shteynshleyger's photographs which depict remote picturesque
locations in Siberia and James Ireland's landscape assemblages
created from such household materials as mirrors, fluorescent
lights, shelving and magazine clippings. Tim Lokiec creates
thick, muddy paintings possessed by a stoned teenager and
inspired by third and fourth plateau consciousness, kidnappings,
prom car crashes and animals. Quietly, personal universes
are diagrammed and probed through Shane Huffman's collaged
constructions while Chris Oliveria uses a small dreaming character
whose visions depict a struggling civilization.
Image:
Anna Shteynshleyger
Untitled (Siberia Series), 2002
c-print
30" x 40"
edition of 5
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