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DANIELLE
GUSTAFSON-SUNDELL
tomorrow
project room:
MELANIE SCHIFF
new photographs
March 5 - April 24, 2004
Danielle Gustafson-Sundell's sculptures from the past few
years have confronted the formal side of sculpture with the
placement of soft forms against hard-edged geometric shapes.
Ideas of minimalism influenced the placement of construction
materials such as cement blocks, bricks and 2x4's, which were
conversely softened by the addition of stitched, and appliquéd
fabrics like felt and corduroy and titled to imply narratives
that often involved love and sex. Danielle Gustafson-Sundell's
current body of work titled tomorrow comments less on feminizing
minimal sculpture but rather explores a personal agenda focusing
on emotional themes such as loss, love and relationships.
This collection of sculptures and wall pieces reference a
1970's aesthetic as a metaphor for a failed utopic model and
a familiar harbinger of what is to come. The sculptures now
pair found objects with a hand-made thrift store craft reaching
from unlikely motifs such as patchwork, iron-on, sand-art
and tattoo design. The work presents a distinct longing to
recapture a certain place, time or moment in which the artist
has lost.
Danielle Gustafson-Sundell (b. 1967, Minnesota) lives
and works in Chicago. She has exhibited solo exhibitions at
the Museum of Contemporary Art, Chicago, 12x12 New Artists/New
Work, and Vedanta Gallery. She has also been included in exhibitions
at Gallery 400, University of Illinois at Chicago, and The
Evanston Arts Center. Her work is included in the Altoids
Curiously Strong Collection, The New Museum of Contemporary
Art, New York, NY.
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Melanie Schiff is attracted to the residue of contemporary
life, the awkwardness of waning youth and the unforgiving
gaze of a young woman. Her photographs are as much about personal,
quiet and private moments as they are about breathing life
into the history of the representation of the landscape, still
life, and portrait. Schiff's images present a juxtaposition
between monumental concerns of classical painting, using personal
symbolism which takes its inspiration not directly from pop
culture but rather from personal effects, clothing, objects
and people that surround her which may coincidentally be related
to a rock band, the use of marijuana, or the androgynous beauty
of a young man.
Melanie Schiff (b. 1977, Illinois) lives and works in
Chicago. She has exhibited her work in group exhibitions at
Vedanta Gallery, Here and Now at The Chicago Cultural Center
and Gallery 400, The University of Illinois at Chicago. Schiff
has an upcoming exhibition at Suitable Gallery, Chicago in
July 2004.
Image:
Tomorrow, installation view Vedanta Gallery
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